Tag Archives: Publishing

What is a book?

No wait, hear me out. Still there? Good.

If you’re reading this you’re probably looking for a little more than a literal answer, so here goes.

These days, books can take many forms. As well as a good old-fashioned charity shop find or a crisp new release hastily picked up from the airport newsagent before your flight, there is of course everyone’s favourite space-saver, the Kindle. Or indeed, the Kindle app if (like me) you’re slumming it just a little.

Delve into the world of online publication and you’ll have so much choice, you won’t know where to start. I’m guilty of perhaps not reading as much as I’d like to, but having dipped my toe into Amazonian waters, I discovered a few things pretty quickly.

Firstly, self-publishing makes it easier than ever before to get what’s inside your head out there for the public to enjoy. And if they don’t, well that’s their problem. At least you did it. This doesn’t have to be the 1000+ word fantasy epic you’ve been slaving away at for half your life though. These days, books take many forms. Your story may be great but you just find yourself wanting to get it over a little more quickly – that’s fine. In the world of self-publishing nobody looks down their nose at a novella.

It doesn’t even have to have a narrative either. From stream-of-consciousness ramblings and specialist cookbooks, to collected essays and structured how-to guides, pretty much anything can be a book these days.

So, get that idea out of your head and onto your screen and before long, it’ll be on everybody else’s screen as well.

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Filed under Authors, Books, Communication, Editing, Fantasy, horror, Life, Science Fiction, self-publishing, Uncategorized, Writing

On Communication

man wearing brown suit jacket mocking on white telephone

Photo by Moose Photos on Pexels.com

Communication is at the heart of what we do. I’m communicating with you right now, and you’ll probably communicate in several ways today without even thinking about it. Whether you’re replying to that email, accepting a LinkedIn invitation from someone that you’re desperately trying to remember, or making a call to organise an appointment, you’re communicating.

It’s ironic that in today’s age of multiple communication platforms, where news is immediate and everyone can share their opinions in an instant, poor communication is still a massive problem. Ask any employee, middle manager or company executive and they’ll likely agree that poor communication is always high up on the list of gripes. It sounds completely obvious, but communication is a two-way street.

If you’re not interested in using that article I pitched to you, just tell me. Communicate with me. I won’t be offended, because I know you get loads of submissions. Just let me know where I am, so I can ask someone else. And if you can’t get round to doing that job on my house, communicate with me – I understand that work can get on top of you. If you’ve decided you’d rather edit your book  yourself, I get it. Money’s tight – just let me know. OK, so you can’t meet up next week, just communicate with me. I won’t be angry (for long, anyway). We can do it another time. Just let me know a little earlier than the night before.

You get the idea. It’s really nothing more than common sense and the same logic can apply to everything from a simple get-together with friends to a make-or-break meeting. So, whether you’re wading through a sea of freelance submissions or really don’t think a job’s worth taking on, communicate. Everyone will be better off for it.

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Filed under Communication, Editing, Life, Uncategorized, Writing

The Fall (a short story)

Now…
Danny felt like shit, for two reasons. The first was the recurring dream he’d had last night, which had allowed him about 3 hours’ sleep. The second was the prospect of facing his boss, Westward, who was quite simply a textbook sonofabitch. Danny tried to ignore his craving for sleep, thoughts dwelling on his boss a while longer, then surveyed the scene before him. The subway always played host to the same array of commuter stereotypes. There was the kid with the headphones, decked out in designer leisure wear, blissfully unaware of the torment his music was causing the ancient lady sat in the seat next to him. Then there was the overweight middle-aged executive, all flabby jowls, plump hands and acrid cologne.

Looking out of the window, Danny saw an unusual splash of colour, surprised that he’d never noticed it before. As the subway train slowed a little, he found he could read the graffiti artist’s seemingly endless message, daubed on the brickwork along the side of the track: ‘WORK-SUB-TV-SLEEP-SUB-WORK-SUB-TV-SLEEP-SUB-WORK-SUB-TV-SLEEP-SUB….HOW MUCH MORE CAN YOU TAKE???’ Danny realised he was looking at his life. The point hit home, which only made him feel worse.

The train lurched to a standstill, creaking and groaning from the strains of its daily duties. As Danny slowly rose, he imagined that if it could feel, it would feel like he did right now – same stop, same routine, same New York. As he ascended into the gloomy morning, leaving the hustle-bustle of the subway to join the daily rat race, Danny could already see Westward Electronics’ office building looming menacingly overhead. A testament to modern architecture’s persistence to be the biggest, its lofty point seemed to lacerate the clouds, releasing the relentless drizzle of Fall.

As he walked towards the building, Danny noticed a group of people gathered beneath it. They were standing in a rough circle, each making their own contribution to a cacophony of raised voices, shouts and gasps. A police officer who happened to be nearby had noticed the commotion and was trying to cut his way through the throng, who remained unaware of his efforts and were eagerly searching for something that would break the monotony of their morning routine.

As Danny got closer, he could make out some of what was being said:

“Come on folks, let me through!”
“Oh my God!”
Looks like a leaper, man.”
Holy shit, what a mess.”
“Jeeesus”
“Goddamn sidewalk pizza!”
“It definitely looks like a suicide…”

Almost everyone had something to say. Danny cursed himself for being just like the rest of them, an eager witness to death. He muscled in beside a young woman – “Hey, watch it mister!” – and eventually found himself at the front of the group, struggling to keep his place and to avoid stepping in the slowly spreading pool of blood. There was lots of the stuff and the boy’s – was it a boy? – the boy’s clothes looked…Jesus Christ, his face!

Then…
It was the summer of 1981. For two carefree kids of 15, it was a summer that seemed to last forever. Danny had been overjoyed when his parents had allowed him to stay in Denver with Richie’s aunt and uncle. Both families knew each other well and as a result, Danny and Richie Arnold were best friends. The holiday was going great and five days in, Richie’s uncle had suggested a trip out to the Rockies. The boys had been thrilled. The trip was planned for the weekend and the idea was that they’d camp out – “rough it” –as Richie’s uncle had explained to the boys earlier.

Danny was born in Topeka, Kansas, and had never seen so much of his country’s natural wonders in one go. He eagerly drank in his surroundings, enjoying the sights and sounds as he looked around in awe. His parents tried to get out with him whenever they could, but the Rockies were something else. On the Saturday, after a long hike, they’d all sat down to rest, a good distance from a ravine which gave way to a stunning view. Danny had gazed intently at the opposite rock face, the distant horizon, and the mountains. He could even see a section of the Arkansas river, glistening in the distance.

It had all happened so fast. When Richie’s uncle’s back was turned, Danny had suggested they go to the edge of the ravine, to look straight down. The drop was huge. Richie, who had always been the more careless of the two boys, started fooling around, balancing on one foot close to the edge. Danny shouted a warning to his friend to be careful, to which he replied:

“What’s the matter Danny, chicken or somethin’?”

Richie didn’t listen of course. How was he to know that what he thought was firm earth beneath him was loose rocks? Danny could see his friend’s expression for an instant – a strange mixture of terror and confusion – then he was gone. He rushed to the edge, shouting Richie’s name, and just had time to see a flash of his friend’s red and black shirt, then nothing.

Danny returned home in sorrow. He didn’t stop crying for a week and every night he would dream. Only it wasn’t a dream. He was awake in his room. His model spaceship hung from the ceiling, his wardrobe was a tall, dark shadow, while his desk lurked squat in the corner. Then, Richie would appear. His red and black shirt was stained with gore, his left arm a shattered ruin, bone jutting from a rent in his sleeve. His face was the worst of all. His left eye was completely missing, an ugly bare socket gazing out vacantly, endlessly, while his skull was crushed madly inward on one side, like a collapsed eggshell. Richie would always hold his hand out in the same beckoning way and Danny would scream as loudly as he had ever screamed in his life. Yet, above the sound of his own terrified voice, he would hear Richie’s, through shattered teeth and burst lips:

“What’s the matter Danny, chicken or somethin’?”

It would always end there and Danny would wake up, still screaming, as his mother rushed in to comfort him. Mom wasn’t there last night though. Last night, Danny had experienced his childhood recurring dream for the first time in 15 years.

Now…
He suddenly felt faint. The people seemed to be looming over him and all he could do was stare at the shattered 15-year-old face of Richie Arnold. As he began to sway, an office worker grabbed Danny’s arm to support him, saying:

“What a waste…I dunno, he just fell out of the sky.”

Then, someone else, the headphones kid from the subway train, added:

“Fell out of the 80s too…just look at those threads.”

Now, Danny felt sick and light-headed, the nausea rising from the pit of his stomach as unconsciousness beckoned. Before he passed out though, he swore he could hear Richie’s voice:

“What’s the matter Danny, chicken or somethin’?”

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Filed under Authors, Books, horror, Science Fiction, Uncategorized

On Procrastination

Ah, procrastination. We’re all guilty of it to different degrees.

For me, it’s actually knuckling down to some serious story writing. My procrastinating has spanned several years and though I’ve written loads of things in that time, it was all ‘work’. Way back when, I’d originally come up with the germ of a good idea, sketched out a plot and made a start. But where would it go? Would it be long enough? What would I do with it? Would anyone want to read it? All these questions, as well as good old life getting in the way, prevented me from getting any further. However, with a little more time on my hands of late, I decided to get stuck in.

As an editor, I’ve been my own worst enemy in some ways. It’s been tough to let the words flow without constantly editing them! I’ve been continuing to fight against this though and a flurry of activity (well, for me) over the last few weeks has brought me to a place where I know how my story ends. I’m filling in some detail and developing some areas of the plot, but after that, well, at least I’ll have a tale to tell.

That’s the thing. There’s tons of ways you’ll try and tell yourself it’s not the right time to start your book. You don’t know how it ends. You don’t have all your characters. Your  grammar is a little shaky. The list goes on, but none of it matters. Just write. After all, nobody ever published their first draft.

And, when you’ve got your story to a stage where you think it’s worth reading, you can always send it to me to edit. After all, I feel your pain!

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Filed under Editing, Uncategorized, Writing

A Summer of Verne

Jules Verne

I may have been familiar with some of his most popular work thanks to the old film adaptions I watched my childhood, but until this summer, I’m ashamed to admit that I’d never read anything by Jules Verne.

There, I said it. Feels better to get it out in the open. I ‘m still only two books better off, but what an amazing pair of books they are. It’s admittedly a massively overused phrase but 20,000 Leagues Under the Sea and its Sequel The Mysterious Island really have stood the test of time as pieces of literature. A good story is a good story and will always trump a work which falls over itself to shoe-horn as many fancy words in as it can. That’s not to say Verne didn’t show literary flair but his emphasis was always on keeping the reader gripped and taking them on a fantastical journey.

All the while I was reading, I was reminding myself that they were translations too, and what skill Verne must’ve had to ensure the many works he wrote in his native French could be enjoyed by everyone. They’re a fascinating time capsule as well, from a time when it wasn’t easy to visit other countries, experience other cultures, or an everyday occurrence to meet someone with a different colour of skin.

In 20,000 Leagues…, Verne not only introduced one of popular culture’s most enduring figures in the enigmatic Captain Nemo, but one of its greatest feats of engineering, his mighty vessel the Nautilus. We take the idea of the submarine for granted now, but in this book, Verne pretty much invented it. The ideas and concepts he introduced in the book surrounding the Nautilus must’ve been nothing short of revolutionary at the time and it’s quite an experience to read about it now, knowing that at the time of publication, no-one had ever heard of such a thing before.

The Mysterious Island has also received the film adaption treatment – twice – but it was of course the original which caught my attention as a child. In it, Verne carefully weaves a stand-alone tale into the continuation of Nemo’s story seamlessly and extremely satisfyingly. In some ways it’s an even more gripping read, and it’s fascinating to behold the ingenuity of its protagonists as they adapt to life on their new-found accidental home.

If you’re a literary stranger to Jules Verne, I’d highly recommend these two great helpings of escapism.

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October 8, 2018 · 8:41 am

Why do we need editors?

brown book page

Photo by Wendy van Zyl on Pexels.com

You know that last book you read? Did you really enjoy it?

Did something you couldn’t quite put your finger on make it just that little bit more… readable? Sure, you’ve read books with more characters and loads of detailed description and they were OK, but there was something about this which really worked.

Okay, maybe it was down to that most reliable of things which makes a book – a good story. Chances are though, it was edited too.

“What!?” I hear you cry incredulously. “You mean some things aren’t edited?”

Yes, really. There’s no taking raw talent away from a writer but no matter how original the idea, how good the narrative or how strong the characters, a good editor can be the difference between your e-book getting up there in the Amazon star ratings and getting your initially enthusiastic readers a little lost along the way.

After all, we live in busy times. Many readers want to dedicate their hard-earned book time to something which they think is worth their while.

This may all seem obvious, but the truth is, many authors who’ve put blood, sweat and tears (not to mention time) into their novels have done so without the help of an editor. The story’s still there but it’s missing something and it’s that missing ‘something’ that could be the difference between your reader abandoning ship for another of the many books out there on the great Amazonian sea.

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Filed under Authors, Editing

Ah yes, the blog

alphabet arts and crafts blog conceptual

Photo by Pixabay on Pexels.com

I don’t just edit, I write things too.

Don’t we all though? Blogs are the everyman’s mouthpiece and a licence to waffle on about anything that takes our fancy. Here I’ll be doing just that; sharing my opinions on books I’ve read or am reading, (no spoilers), offering tips, talking travel and generally just prattling on. Just check the recent posts on the right-hand side to keep up-to date.

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Filed under Editing